Young novelist Touma Kamiyama dreams of a lost past full of swordsmen and monsters, and a mysterious girl who he doesn’t recognise. While out delivering a present, he and his editor Mei are caught up in an attack from another world, and only Touma can save the day as the Swordsman of Fire, Kamen Rider Saber!
A year has passed by and Zero has become One (and briefly, Two). We look back on the first Kamen Rider of the Reiwa era, and decide whether humanity deserves extinction after all.
With the end of Zi-O and the beginning of Zero-One, the Neo-Heisei era of Kamen Rider is now over. Not only this, but it fits perfectly into the last decade, meaning I have an excuse to take a look back at the last ten years of Kamen Rider, and assign arbitrary awards instead of moaning about how bad they were.
colons takes a look at movie posters from films covered in Glorio’s King of the Kaiju.
Whether you want tower block murder mysteries, successful scam artists or giant monsters beating the stuffing out of each other, you’re in luck because J-drama has it all. Here’s a look at what I watched this year.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their seventh episode they take a look at the 1972 film, Daigoro vs. Goliath.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their sixth episode they take a look at the 1996 film, Rebirth of Mothra.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their fifth episode they take a look at the 1967 film, Yongary, Monster from the Deep.
Isamu, determined to reveal the truth about the mysterious ‘Daybreak’ incident, ventures into the ruined city. Afterwards, Aruto has to contend with the fact his favourite manga author has outsourced all his work to Humagears.
Aruto comes face to face with the forces of the mysterious Metsubojinrai.net, the villains responsible for driving Humagears insane. He’s both helped and hindered by the arrival of a new pair of Riders.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their fourth episode they take a look at the 1970 film, Space Amoeba.
Aruto Hiden is a young man who just wants to make it as a comedian. However, he’s going to have to put his dream on hold as he’s been named his grandfather’s heir, and that means taking the presidency of the vast Hiden Corporation, which has revolutionised the world with its lifelike robot HumaGears. When evil forces begin to take over the HumaGears and turn them against humanity, Aruto must use his grandfather’s final invention to battle them as the first Rider of the new era, Kamen Rider Zero-One!
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their third episode they take a look at the 1964 film, Ghidorah, the Three-Headed Monster.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their second episode they take a look at the 1954 film, Rodan.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their inaugural episode, they take a look at Gamera, The Giant Monster.
The Druidon Tribe once ruled over Earth 65 million years ago, but abandoned the planet when it was threatened by a large meteor. The Ryusou Tribe, who fought against the Druidon, stayed and survived, their descendants vowing to protect it from evil. When the Druidon return to claim back Earth, it’s up to a new group of Ryusoulgers to put a stop to them.
We made it.
With Mama Minato now back with us, everyone quickly tries to think of ways to deal with Leugocyte without firing a laser at it. It doesn’t work out so well, so R/B will probably have to fire a laser at it.
The Minato family, upon being visited by the person threatening to end the world, perform a dance about manju. Unsure of how to proceed the plot, we revisit the case of the missing mother. She’s been in Aizen’s basement all along, trapped inside a space vase.
We sleep through episode 18, then watch as D.R.L.N. sends the bad robot to go fight the Ultramen.
