With King of Arthur out of his reach, Calibur plans to seize a new source of power. Meanwhile, Daishinji decides to express himself through music. Also, Durian battles Walnut.
Touma is feeling the pressure of wielding the King of Arthur powerup…for some reason. His indecision leads to Ogami getting turned to stone, marginally improving the quality of his character writing.
Touma and Kento drop acid and finally make their way to the legendary Desert of Avalon!…er, Soundstage of Avalon…Concrete Bunker of Avalon?
A lot of things happen! Most of them are very ugly! None of them make sense!
Wait, what? What’s going on? Who is that? Where are we? A television show you say? Could’ve fooled me.
Ogami is convinced of Touma’s good intentions and together the three Riders set off to rescue Sora. But their way is barred by an enemy from 15 years ago…
The young man on the flying carpet introduces himself as Kento Fukamiya, a childhood friend of Touma’s. Before they can get too reacquainted though, another Rider bursts onto the scene, this time with a small child in tow.
The mysterious stranger introduces himself as Rintaro Shindo, aka Kamen Rider Blades. He takes Touma and Mei to meet the mysterious Sophia, who explains the work of the ancient society known as the Sword of Logos.
Young novelist Touma Kamiyama dreams of a lost past full of swordsmen and monsters, and a mysterious girl who he doesn’t recognise. While out delivering a present, he and his editor Mei are caught up in an attack from another world, and only Touma can save the day as the Swordsman of Fire, Kamen Rider Saber!
A year has passed by and Zero has become One (and briefly, Two). We look back on the first Kamen Rider of the Reiwa era, and decide whether humanity deserves extinction after all.
With the end of Zi-O and the beginning of Zero-One, the Neo-Heisei era of Kamen Rider is now over. Not only this, but it fits perfectly into the last decade, meaning I have an excuse to take a look back at the last ten years of Kamen Rider, and assign arbitrary awards instead of moaning about how bad they were.
colons takes a look at movie posters from films covered in Glorio’s King of the Kaiju.
Whether you want tower block murder mysteries, successful scam artists or giant monsters beating the stuffing out of each other, you’re in luck because J-drama has it all. Here’s a look at what I watched this year.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their seventh episode they take a look at the 1972 film, Daigoro vs. Goliath.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their sixth episode they take a look at the 1996 film, Rebirth of Mothra.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their fifth episode they take a look at the 1967 film, Yongary, Monster from the Deep.
Isamu, determined to reveal the truth about the mysterious ‘Daybreak’ incident, ventures into the ruined city. Afterwards, Aruto has to contend with the fact his favourite manga author has outsourced all his work to Humagears.
Aruto comes face to face with the forces of the mysterious Metsubojinrai.net, the villains responsible for driving Humagears insane. He’s both helped and hindered by the arrival of a new pair of Riders.
GLORIO’s King of the Kaiju is Euri and colons’ excuse to watch monster movies. For their fourth episode they take a look at the 1970 film, Space Amoeba.
Aruto Hiden is a young man who just wants to make it as a comedian. However, he’s going to have to put his dream on hold as he’s been named his grandfather’s heir, and that means taking the presidency of the vast Hiden Corporation, which has revolutionised the world with its lifelike robot HumaGears. When evil forces begin to take over the HumaGears and turn them against humanity, Aruto must use his grandfather’s final invention to battle them as the first Rider of the new era, Kamen Rider Zero-One!